Tag Archives: Adobe

Adobe’s Firefly Generative AI-Models Are Now Generally Available

September 14, 2023AdobeAdobe, AI-generated contentJenThorpe

Adobe posted news titled: “Adobe Express With AI-Powered Firefly Integration Now Commercially Available”. Here are some parts of this news:

Latest Innovations in Express

AI-first, all-in-one editor gives users the ability to make high-impact design elements, engaging videos and images, stunning PDFs, animation and standout content ready for Instagram, TikTok, and other social channels and platforms.

Firefly integrated into Express makes it possible to quickly generate custom images and text effects from text prompts in over 100 languages and designed to be safe for commercial use. Plus, more AI-power helps creators to take the guesswork out of design and quickly find the perfect addition to content or get personalized template recommendations that fit unique styles, to create social media posts, videos, posters, flyers and more.

Deep workflows with Creative Cloud apps allow users to easily access, edit and work with creative assets from Photoshop and Illustrator directly within Express, or add linked files that always stay in sync across apps.

Brand Control Features unlock creativity across the Enterprise, given users the ability to create, edit, and version brand approved assets to deliver on-brand quality content at scale.

PDF Support in the new all-in-one editor makes it even easier to import, edit, and enhance documents to create visually stunning PDF’s.

Quick actions like remove background in images and videos, animate a character using just audio, convert to GIF and edit PDFs, makes it even easier to create standout content quickly and simply.

Real-time co-editing and seamless review and comment capabilities add speed to the creation process.

176 days after launching its Firefly generative AI models into beta, Adobe announced that Firefly is now generally and commercially available in its Creative Cloud, Adobe Express and Adobe Experience Cloud, TechCrunch reported.

According to TechCrunch, Adobe also announced how it plans to charge for Firefly going forward. The company is going to use what it calls “generative credits’ to measure how often users interact with these models. Basically, every time you click ‘generate’ to create a Firefly image, you’ll consume one credit (and the company retooled the Firefly web app, for example, so that it doesn’t automatically start generating images before you’ve made all of the tweaks you wanted to make.)

TechCrunch also reported that everybody on existing paid Adobe plans will get access to quite a few of these generative credits. Here is the full list:

* Cloud All Apps: 1,000
* Creative Cloud Single App (include Illustrator, InDesign, Photoshop, Premier Pro, AfterEffects
Audition, Animate Dreamweaver, Stock, Photography 1TB): 500
* Adobe Stock paid subscriptions: 500
* Adobe Express Premium: 250
* Adobe Firefly Premium: 100
* Creative Cloud for Enterprise All Apps: 1,000
* Creative Cloud Pro Plus All Apps: 3,000
* Free Users with an Adobe ID; Adobe Express, Adobe Firefly, Creative Cloud: 25

TechCrunch noted that once you run out of those credits – at least on most of these plans – you won’t lose access to Firefly, but it will run significantly slower.

Engadget that generative AI has not exactly been greeted with the warmest of welcomes, mostly on account of it ripping off an entire internet’s worth of art for its training. Then there was the whole subsequent “replacing actual artists with cheap AI knockoffs after stealing their work for training purposes” issue as well.

Personally, I’m not a fan of AI-created content. I very much prefer making my own artwork by hand, like I was taught when I was in college. Any art I choose to post online is behind a locked account – specifically to prevent an AI from stealing my work.

Adobe Will Release A Free Version Of Photoshop For Browsers

June 14, 2022AdobeAdobeJenThorpe

Adobe announced major updates to Creative Cloud applications in Photoshop, Lightroom, and Lightroom Classic, delivering significant features, benefits and value to customers. Today’s updates deliver new editing and usability enhancements to Photoshop on the web (beta), leverage Adobe Sensei AI and machine learning to help simplify complex workflows for creatives and streamline cross-device (desktop, web and mobile) collaboration workflows for Photoshop and Lightroom users.

Neural Filters in Photoshop put the power of cutting-edge AI and machine learning into the hands of creatives. Built to help lower barriers to creativity, Neural Filters have emerged as one of Photoshop’s most popular AI-powered tools. They dramatically reduce complex workflows into easy-to-use, transformative solutions for photo editing and manipulation. Over 300 million Neural Filters have been applied to creative work by more than four million creatives to date.

A new Photo Restoration Neural Filter designed to help users bring old or damaged photos back to life by detecting and eliminating scratches and other minor imperfections in seconds.

Photoshop on the web (beta) includes:

New, easy-to-use editing features like Curves, RefineEdge, Dodge, and Burn and Smart Objects conversion;
Mobile browser access for fast and easy reviewing and commenting;
Onboarding and learning content for new creatives and citizen creators who were previously unfamiliar with Photoshop;
Performance and UX enhancements
Powerful New Feature Across Lightroom Ecosystems:
The ability for photographers to quickly trim and apply edits to video clips in Lightroom using the same editing sliders and presets used on photos (desktop and mobile)
AI-powered Adaptive Presets for applying different effects to distinct parts of a photo (Lightroom desktop, Lightroom Classic, Adobe Camera Raw)
Key workflow enhancements for adjusting intensity of presets (Lightroom desktop, mobile, web, Lightroom Classic) and comparing photos side-by-side (Lightroom desktop)
AI-powered Auto Red Eye Removal (Lightroom desktop and Adobe Camera Raw)
Expansion of Remix capabilities to Lightroom mobile and web

The Photo Restoration Neural Filter is coming soon to Photoshop on the desktop, and Photoshop on the web is available at https://creativecloud.adobe.com/cc/photoshop to anyone with a Photoshop subscription.

The latest releases of Lightroom and Lightroom Classic are now available and can be downloaded via the Creative Cloud Desktop app. Updates to Lightroom mobile are rolling out globally starting today and can be downloaded in the Apple App Store and Google Play Store.

The Verge reported that Adobe has started testing a free-to-use version of Photoshop on the web and plans to open the services up to everyone as a way to introduce more users to the app. The company is now testing the free version in Canada, where users care able to access Photoshop on the web through a free Adobe account.

Adobe Premiere Elements 14

October 15, 2015Adobe, Apple, Microsoft, Surface, videoAdobe, editing, editor, Elements, Premiere, videotomwiles

Back in the heyday of the FireWire interface, I became fairly proficient with Final Cut Express. However, in 2011 Apple stopped developing it, and Final Cut express just wasn’t designed to work natively with compressed video file formats that virtually all modern cameras output. I really liked the Final Cut Express interface and was sad to see it be left behind.

Many people rave about iMovie. Unfortunately for me, I’m one of those people that doesn’t like the iMovie interface. Just give me a linear editor with stackable clips and I can easily and quickly find my way around.

In the meantime, my 2007 MacBook Pro 17” inch became quite long in the tooth and I started leaving it at home. For the past year I’ve been doing relatively simple video editing on my phone.

The recent purchase of a Microsoft Surface Pro 3 256 gigabyte machine inspired me to try out a trial version of Adobe Premiere Elements 14, the latest version of Adobe’s consumer verson of Premiere, which is aimed at high-end professional video editors. Premier Elements 14 is somewhat different than Final Cut Express, but actually very similar since it is a linear editing approach.

Unlike Final Cut Express, Premiere Elements 14 is quite up to date and handles all of the modern compressed digital file formats. It is even capable of editing 4k video. It’s quite flexible in output formats, and is capable of uploading directly to YouTube and Facebook.

I am still learning my way around the interface. My biggest complaint so far is that using the animated titles seems a bit clunky. I’m sure I will become proficient with them over time as I continue to use the software. Some of the options at first blush seem to be a bit hidden.

Before I pulled the trigger and purchased the unlock key from the Adobe website, I watched a number of tutorial videos on YouTube to make certain that the program could do everything I expected it to be able to do. It turns out that all of the features are present, but proficiency requires a bit of time and effort. Alas, this is video editing after all!

Version 14 of the software has 4 modes, Live, Quick, Guided and Expert. The two most useful modes for my needs are Quick and Expert. Though I am spending most of my time in Expert mode, switching to Quick mode can be useful from time to time in order to gain quick access to certain features. To instantly switch from one mode to another it’s as easy as clicking on the appropriate word just below the title bar.

Premiere Elements 14 sells for $99 dollars US and is available for download at the Adobe website. The 30 day trial version is easily converted to the full purchased version by purchasing a license key from Adobe.

Overall, I like the software. I will be happy to purchase the next upgrade.

If you thought the Adobe hack was bad, you should see the user data

November 9, 2013Adobe, SecurityAdobe, SecurityAlan

Computer security By now you have likely heard of the attack on Adobe — the one that seemed to grow worse with each new bit of information. What started out sounding like a problem quickly deteriorated into disaster. Originally said to affect some three million customers, the number swelled to 38,000,000 and finally landed at 150,000,000.

But there were bigger concerns than just just that — security firm Sophos analyzed the compromised data and released a case study of its findings. The results are staggering, in terms of what it revealed about the average computer user.

Sophos lodged an almost immediate complaint regarding the situation — “One of our complaints was that Adobe said that it had lost encrypted passwords, when we thought the company ought to have said that it had lost hashed and salted passwords”, the security firm states in the report.

Then the data analysis begins. The number one password, used by 1.9 million customers, was “123456”, while “password” followed in second place. Appearing at the 25th slot on that list was “LetMeIn”. You can’t make this stuff up, folks. One user’s password hint read “try: qwerty123”, while another user cryptically stated his hint as “rhymes with assword”. The sad list goes on.

Sophos points out that “With very little effort, we have already recovered an awful lot of information about the breached passwords, including: identifying the top five passwords precisely, plus the 2.75% of users who chose them; and determining the exact password length of nearly one third of the database”.

Image Credit: Bigstock

Audio Evolution Mobile App

May 28, 2013Android, application, Information, IPAD, mac, MP3, smartphone, tablet, WindowsAdobe, AIFF, ANDftp, Android, app, audio, editor, Evolution, ffmpeg, FLAC, garageband, IPAD, MediaConverter, Mobile, MP3dit, OGG, Software, Tablet, WAVtomwiles

Audio Evolution Mobile 1.7.2 is a powerful multitrack audio recorder for Android that is somewhat reminiscent of Adobe Audition 1.5 in both form and function. Priced at $7.45 US, the app is a real bargain for anyone looking to do serious multitrack audio recording and editing on an Android tablet or smartphone.

Back a few years ago I switched from Windows to Mac, and Adobe Audition 1.5 is one of the pieces of software I had to let go of on a day-to-day basis in order to end the endless frustration of dealing with Windows. Newer versions of Adobe Audition have never struck me as having the same appeal of Adobe Audition 1.5.

It might be just me and the way I relate to software interfaces, but I’ve never had much use for Garageband on either the Mac or on my iPad. I was able to make use of Apple’s Soundtrack app, but it was just never as quick or as easy as Adobe Audition 1.5 was in quickly cranking out a tightly-edited piece of audio.

Audio Evolution Mobile 1.7.2 was easy for me to instantly make use of. The software maker suggests that you download the trial version to try on your particular Android hardware before you buy it, to make sure it will work for you. I downloaded the trial version onto my Galaxy S3 smartphone, and quickly determined that it would not only work but that I really liked the software and the way it worked. I uninstalled the trial version and purchased the full paid version and was able to crank out an hour-long edited recording quite easily with a minimum of confusion.

The software vendor makes it very clear that Audio Evolution Mobile 1.7.2 cannot directly output into the MP3 audio file format because of MP3 file format licensing issues. The app can output mixdown files to WAV, AIFF, FLAC or OGG file formats.

Of course the podcast file format standard is MP3, so in order to be able to convert the mixdown files to the MP3 file format, I downloaded the free MediaConverter app that converts files using the open-source FFMPEG libraries from many different file formats to MP3.

To add ID3 tags to the converted MP3 files, I installed the free MP3dit app that is able to edit ID3 tags for many different audio file formats.

To upload the MP3 file to my podcast server, I use the free ANDftp FTP client for Android.

Finally, to make the WordPress post I simply go to a browser such as Firefox for Android to the regular full browser view, log in and make the post as I would on a regular desktop or laptop computer.

To be honest, the last step is the hardest to accomplish on a tablet device. WordPress just isn’t laid out in a very touchscreen-friendly manner, but it can be made to work in a pinch.

From a podcaster standpoint, the mobile device recording, editing and posting software is slowly getting there.

BlackMagic Intensity Extreme with Thunderbolt Connection [Review]

May 9, 2012videoAdobe, Blackmagic, camera, Canon, final cut pro, intensity extreme, mac, recording, video, Vixia, WindowsJ Powers

Two weeks ago, I wanted to bump up my live camera action. Knowing that camera companies like Canon have decided to remove DV and component video connections on their newer lines of cameras, I had to find a solution to pull video from the HDMI output. Therefore, I bought the Intensity Extreme.

BlackMagic Intensity Extreme Advantages

The biggest feature on this device is that I can connect directly to the Thunderbolt™ port on my MacBook Pro. This is the machine I do the majority of my video, using Wirecast to record and broadcast.

The BlackMagic Intensity Extreme can also get video from a composite source, using the breakout cable (included). Therefore, it’s a perfect way to stream your gaming session to uStream or Justin.tv. If you have an SD camera, you can also connect to the Intensity Extreme to broadcast. Therefore, I could connect my Kodak Zi10, or a Flip camera using the composite cable.

Intensity Extreme is compatible with Avid, Final Cut Pro, Adobe Premier, DaVinci Resolve, Wirecast, and many other programs. You can even use it for a program like Screenflow, to enhance the video with your face in the corner.

No Windows Drivers – Yet

The Intensity extreme does not have Windows drivers just yet, so you Bootcamp users out there will want to use your Mac for recording. It doesn’t mean you cannot get it to work in Windows, but you will not have support just yet. You will have to purchase the Blackmagic Intensity Shuttle to have Windows support.

BlackMagic Intensity Extreme – Overall

The device is simple to set up (camera to Intensity to computer). There is no external power, so you don’t need to worry about a battery or plug. The Thunderbolt cable does not come with the Intensity Extreme, so you will have to drop another $50 for that.

The BlackMagic Intensity Extreme is $284, and is a perfect way to add a 16:9 camera to your mix (like the Canon VIXIA R20 I used). This can give your recordings more depth because you will have focus, white balance, exposure, zoom, and other features a webcam cannot offer.

The Blackmagic Intensity Extreme is also part of Todd’s new High Definition Mobile Broadcast Studio.