Category Archives: OTT

Roku Updates Interface Adds Grid Menu, Better Search



Roku Grid Interface
Roku Grid Interface

When I was as SXSW, I was excited to find that Roku was changing the interface to a Grid view. In interviewing Roku, I was told the interface would be rolled out to older players but had to wait. Well now the wait is over.

Roku rolled out their new interface to certain older Roku boxes. If you own a Roku LD, HD, XS or MHL Streaming Stick, you will be able to update the software and utilize the new interface.

CES Interview: Roku Streaming Stick
CES Interview (TPN.TV): 3M MHL Projector with Roku

How to Update to the new Roku Interface

This is a manual update – on your Roku, go to your settings and navigate to the update section. You will have to agree to update to the new grid view, then watch as the software downloads, installs and reboots. After the familiar bouncing Roku logo, the new grid interface appears.

Roku-Interface-Search

Features of the Roku Grid Menu

The biggest feature is your channels are now on a grid rather than a straight line. You can reorganize your titles for easier navigation. The search option and the channel store are both now on the left navigation menu. This makes for easier discovery of new channels and searching for content on your Roku device.

Speaking of the search option, you will be able to search for videos, movies and TV shows right from the interface. Roku will let you know where you can watch the videos and how much it might cost (if any).


On The Net, Less Can Offer More



For some time now I’ve been using an iOS/Android app called “Heytell” to communicate with a number of friends and relatives. Heytell’s appeal is that it offers reliable asynchronous voice messages that are quick and easy to send to people when you don’t want to invest the time in a phone conversation. Heytell’s success as an app is that it offers something that’s less than a phone call but does it very well indeed.

Text messaging is successful and popular because it offers the opportunity to send quick and easy messages directly to the cell phones of others if you don’t want to invest the time or effort into writing a full-fledged email. Text messaging’s success is that it offers something that’s less than an email but does it very well indeed.

For some time now, I’ve been experimenting with various set-top boxes, including the Western Digital WDTV as well as built-in apps in a couple of different brands of Blu-Ray players, the software version of Boxee, an Apple TV, and even a Mac Mini connected to my HDTV. All of them had their strengths, however, it still felt as if something was somehow wrong or missing from each one of those experiences and user interfaces.

Over the weekend I bought a Roku 2 XS. The Roku is by far the best set-top box experience I’ve ever had. Roku has got it right. They’ve currently got well over 100 apps to chose from, with many more constantly being added. Roku has a tremendous amount of content provided by those third-party apps, and content drives success. Content is king and always will be.

It hit me what the appeal of a box such as Roku is with its third-party apps. These streaming apps, such as Crackle, Netflix, etc. are something less than a full-fledged cable or broadcast TV network. They can have lots of highly-specialized content to choose from, such as Netflix, or such a small amount of highly-specialized content that it’s only updated once a week. Big traditional cable and broadcast networks provide only one program at a time that the viewer has to make an appointment to watch. Roku video streaming apps provide specialized content that in many cases could never make it on a traditional broadcast network because the audience would be too small. That same specialized content begins to have tremendous appeal in a Roku app venue where it’s something less than a full-fledged network environment, yet delivered very well indeed.

On the Internet, less really can be more.


Roku Coming to UK and Canada



Roku LT
Roku LT

Today, Roku announced it will be going International: starting in the United Kingdom and Canada. The Set Top Box plans to launch in these countries early 2012. Currently, they are making a call to Canadian and European developers to start creating content for this popular medium.

Roku was founded in 2002 by Replay TV founder Anthony Wood. The privately held company started with the SoundBridge – a network music player. Since then, the company created the PhotoBridge before developing the Roku in 2008. Four generations later, the Roku LT, Roku 2 HD, XD and XS (with Angry Birds) are current models you can purchase starting at $49.

“This year has been one of many accomplishments for Roku in the U.S. In July, we introduced Roku 2 which brings casual games to the TV and last month we unveiled the $49.99 Roku LT. We’ve added casual games including Angry Birds and PAC-MAN as well as premiere channels including HBO GO,” said Roku Founder and CEO Anthony Wood. “And now we’re looking forward to kicking off 2012 by expanding to Europe and Canada and providing consumers abroad with the best in streaming entertainment – a natural evolution for Roku.”

Recently Roku launched games like Pac-Man and Galaga, along with services like CNBC 24 hour and HBO Go (with cable subscription). Of course, Roku was the first STB to offer Netflix, and also has premium channels like Amazon and HuluPlus. Not to mention the TechPodcasts and Blubrry networks.


Xbox Boosts On-Demand in the UK



Earlier in the week, Microsoft gave the Xbox a big push in the race for HDMI 1 with Steve Ballmer announcing Xbox TV and partnerships with over 40 content providers. Jeffrey Powers has already covered the main announcement on GNC but I wanted to add a little bit of UK spin.

In the UK, additional programming boxes such as the Roku, Boxee or Apple TV are very rare. Most of my friends would enjoy their gadgets and technology but I don’t know a single one of them who has an extra box. However, many of them would have a games console and there’s a fairly even spread of Xboxes, Playstations and Wiis. Consequently it’s no surprise that the race to provide on-demand content is taking place on the consoles.

Most people in the UK are using the availability of on-line TV to catch up with programmes they missed when they were originally broadcast. What typically happens is that you go into work and some says, “Did you see…..last night? It was brilliant” and you watch the programme through the various free on-line services. The BBC’s iPlayer is very popular.

Reviewing Microsoft’s press release, here are the organisations that will provide on-demand content available in the UK on the Xbox. I’ve ignored the standard social networking sites, such as Facebook and YouTube, but have added the organisation’s background so that non-UK residents can get a feel for what’s happening.

  • BBC – Terrestrial broadcaster
  • Channel 4 – Terrestrial broadcaster
  • Channel 5 – Terrestrial broadcaster
  • BSkyB – Satellite broadcaster (requires monthly subscription)
  • LOVEFiLM – On-line film rental
  • blinkbox – On-line film rental
  • Crackle – Free on-line films
  • Screenrush – Film trailers
  • Muzu.TV – Music videos
  • VEVO – Music videos
In terms of the numbers, the traditional terrestrial and satellite broadcasters have the greatest presence and there’s only one major UK broadcaster missing from the list, ITV, which is a conglomeration of regional broadcast companies.
LOVEFiLM is owned by Amazon, Crackle is a Sony property and blinkbox is 80% owned by Tesco, one of the UK’s leading supermarkets.
The challenge will be to get consumers to pay for the on-line film rentals. Here in the UK, there is lots of good free programming which was originally broadcast but is now on-line through the broadcaster’s portals via tools similar to iPlayer. It will be interesting to see how the paid-for market develops and if the games consoles are key to the transition. It’s certainly where the media companies need to be for the UK market.

OTT: Are We There Yet?



It’s been a while since dumping my $100-dollar-per-month Dish Network habit. Ominously for the existing broadcast/cable/satellite structure, I haven’t missed it – not even one little bit. Sorry guys, that money now goes for other discretionary things.

Save Our Buggy Whips!

I saw an article about the traditional broadcasters in Canada saying they needed to somehow “get ahead” of the Netflix/Hulu phenomenon before the inevitable hits them, before what is happening in the USA happens to them. Like most dinosaur products and services, instead of talking about how they can come up with better ways to serve customers in an ever-changing, innovative marketplace, they are essentially discussing how they can somehow entice or even force customers to maintain the status quo.

A primary reason that market and business conditions change over time is improved, innovative products and services come along that better serve the end consumer. Organizations and individuals that grow fat and lazy consuming cash cow largess naturally start whining when market conditions change and the cow has no more grass left on which to graze because the stagnant field has been stripped bare.

I Want My Set Top Box

I’ve been experimenting with several different TV set top box solutions. I’ve got an Intel Mac Mini set up as a DVR with an HDTV USB tuner stick. I’ve got a couple of Western Digital WD TV Live Plus boxes. I’ve got Playon TV software running on a an HP Windows Home Server box with about 30 different plugins that give me quick organized access to a ton of different on-demand streaming video content, including Hulu and a fair amount of network programming. I’ve got an original Mac Mini running a $50 software hack that includes Boxee and XBMC software. Finally, I’ve got an LG Blu-Ray player that has a number of different on-demand video services built in, including Netflix, Vudu, and a new recently-added service called Divx TV.

So far, none of these solutions is perfect for every viewing situation. My biggest complaint about on-demand video is that it’s virtually impossible to set up a video play list where I can start the video playing and get it to automatically continue to play without any further intervention. This is especially frustrating when I have a bunch of two or three-minute-long video podcasts to watch through and each file has to manually be started playing. Why can’t someone solve this problem? Every past successful form of media has been able to go into a continuous-play mode. Coming up with a solution to this problem of being able to start a group of video files playing and have them play continuously is ultimately critical if OTT is to be widely adopted.

Divx TV Comes Closer

Divx TV, which is currently available only on select LG Blu-Ray players, actually attempts to solve the continuous play problem. It has a channel up/down feature that immediately begins to play streaming podcast content in a window from a number of different content partners. As you go through the categories and drill down into the sub-categories, the video will immediately change to the newest one selected, just like changing a TV channel. The content is categorized in a number of different ways. Revision 3 is one of the content providers. If a Revision 3 podcast is selected, the latest episode will immediately begin to play in the window. At any point in the process, a “swap” button can be pressed to instantly make the video full-screen (or vice versa) without having to restart the video from the beginning. After the latest episode plays, the next-latest episode will play, etc. If left playing, it will eventually go through all available content and start playing the first episode.

Additionally, Divx TV has a search function where it’s possible to save search terms for future use. One of the problems I’ve ran into when using the search function to find videos from their database that aren’t in the packaged categories is file sizes are inconsistent. Since I’m using a point-to-point wireless Internet provider, my home Internet connection isn’t as fast as traditional cable or DSL connections. Larger video file sizes tend not to stream over slower connections so well and buffering can occur. The pre-packaged Divx TV category content providers provide a more consistent video streaming experience on less-robust Internet bandwidth connections and the video looks pretty good.

Eventually all of these problems must be solved.

What would be an ideal system for me? I’d like to be able to play the hundreds of video podcasts I’ve downloaded on every TV in my house and have them play continuously without intervention. I’d like to be able to mix and match custom streaming content, again with minimal intervention on my part. I’d like to be able to play any video I’ve recorded on my Mac Mini DVR on any TV set in my house via my wired home network. So far, none of these solutions I’ve tried can quite combine all of these features into one sleek package. By the way, the Mac Mini DVR can be a bit of a pain in the rear, since the on-screen computer screen text can’t be read from 15 feet away even on a 58” screen.

Are we there yet? Not quite, but the journey has definitely started.


Shredding The Cord



Ah, my once-beloved Dish Network account – the thing I once thought I could never do without; the budget monster that consumed $100 per month, month after month, year after year. I agonized for months over the idea of simply killing it before finally pulling the plug.

It’s been the better part of a year since I put the budget-busting beast to rest and cancelled the account. Dish Network itself seemed to want to throw up as many roadblocks as possible to get me to change my mind. They wanted the LNB module off of my roof, in addition to the two receivers. I had 30 days to send the units back in the packing boxes they sent or they would make me pay full price for them.

I was able to talk the guy out of forcing me to climb up on my roof to retrieve the LNB, and I was able to get the two receivers sent back to them within the 30 days of cancellation. However, somehow they had in their billing system I had three receivers, not two. They sent return packaging for three units. I spent time on the phone with them to make sure this discrepancy was resolved, and they assured me it was.

Ooops, not so fast! A month or two later I got a letter from them stating I still owed them for a receiver and they intended to hit my bank account for the amount. A phone call to them resolved the issue and I haven’t heard a peep from them since.

How has life been without all of those channels? $ome part of me hate$ to admit it, but I haven’t missed it at all. I’ve got an Intel Mac Mini set up as a DVR for local over-the-air HD broadcasts, as well as a Netflix account and several other Internet-connected set top box viewing solutions.

Observations

A very large percentage of TV programming is marketing presented as content. Much of what passes for entertainment depicts multitudes of dysfunctional drama queens assaulting and insulting the people around them. The more dysfunctional they are, the more likely it is the marketing messages will seep into the mesmerized minds of the audience. Even if one isn’t watching commercials, product placement and even behavior placement abounds. Viewers are being programmed to buy certain products, as well as behave in certain ways.

Think you can’t do without cable or satellite TV? Think again. I was paying $1,200 dollars a year for Dish Network. Multiply that by just 5 years and that’s a whopping $6,000 dollars for the privilege of being shaped and influenced by marketing messages so I would spend even more money.

Let’s go one step further. For many people TV is an addiction. These people are crack dealers in disguise. How else could it be that they can continue to raise their prices and people continue to pay ever more?

Let’s be honest. The vast majority of cable TV programming is less than worthless. Could that $6,000 dollars been better spent on higher-quality programming? Of course it could.


Sensio’s 3D Technology



Tom interviews Canadian firm, Sensio on their development of stereoscopic cinematic technologies – that’s 3D to you and me – and the launch of three new products.

  1. The Sensio Hi-Fi 3D Codec for superior quality 3D video, which is being adopted by several content providers.
  2. The Sensio Autodetect, which analyses video and determines the 2D or 3D format (side-by-side or top-and-bottom). Very handy for hardware manufacturers who don’t have to produce different models for different markets.
  3. The Sensio S2D switch, which converts 3D content into 2D content. Although this seems niche at the moment, as more 3D-only content becomes available, there will be times when it needs to be displayed two-dimensionally, e.g. when there  aren’t enough 3D glasses to go round.

All of these technologies are aimed content creators and manufacturers and the average consumer will never know that their set-top box or over-the-top box uses these technologies. Regardless, it’s interesting to see the technologies announced now that you’ll be using in a year’s time.

Interview by Tom Newman of The Fogview Podcast.

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