The Ghostbusters movie that hit theaters over the summer will be available in Digital HD and Digital SD on September 27, 2016. It can be preordered now on Amazon.com. The movie will also be released on Ultra HD / Blu-ray Combo Pack and on Blu-ray on October 11, 2016.
According to Box Office Mojo, Ghostbusters (2016) was the then tenth highest-grossing summer released film in the United States. Its total gross was $125,174,627. It does not appear that a sequel is in the works.
In the lead-up to the release of the movie, it was referred to as Ghostbusters or as Ghostbusters 2016. It turns out the full name of the movie is Ghostbusters: Answer the Call. The full title is what appears on the upcoming digital and Blu-ray releases. In other words, the movie did not get a name change.
According to Collider, the full list of bonus material available on the 4K UHD/Blu-ray 3D Combo Pack, Blue-ray, and Digital include:
Ghostbusters Extended Edition & Theatrical Version
2 Hysterically Haunting Gag Reels
4 Unearthed deleted scenes
11 Totally Possessed Alternate Scenes and more than 60 minutes of additional extended and alternate scenes with Ultraviolet download
6 Jokes-A-Plenty alternate take reels
5 Supernatural Featurettes: “Chris Helmsworth is ‘Kevin’”, “The Ghosts of Ghostbusters”; “Meet the Team”; “Visual Effects: 30 Years Later”, and “Slime Time”.
The verified Ghostbusters Twitter account says that Ghostbusters: Answer the Call is back in theaters this weekend (in some locations). The link in the Tweet below takes you to Fandango, where you can find out if the movie will be playing in a theater near you.
Streaming services like Netflix, Amazon Prime Video and Sky’s Now TV might have overtaken DVRs, DVDs and Blu-ray but I’ve discovered that physical discs have one major advantage…..no-one can take away the film until you’re finished watching (excepting small children and drunken relatives).
Our family subscribes to a streaming service, and while I normally watch a film or episode in a single viewing, there are some that I don’t get through in one go, perhaps because friends call round unexpectedly (yes, I have friends). Recently I’ve twice had the experience of returning to a film only to find that it’s no longer in my queue. The first time I thought I was mistaken as I couldn’t find the film but the second time was no mistake. I was very annoyed.
Streaming services take on new content and drop old content regularly as they license films from studios and other copyright holders for set periods. I can understand this but what bothers me is that they don’t feel it’s necessary to either email or pop-up the deadline on-screen. I would have made a special effort to watch the ending if they’d dropped me an email to say, “Hey, I see you’re watching Spiderman. Just to let you know that film’s going away at the end of the month so you’ve three days to find out what happens.” How hard would that be?
Anyway, if someone could let me know if Spidey saves the world, I’d be grateful.
Asked to name an industrial designer, most Apple lovers will come up with Sir Jonathan “Jony” Ive, designer of iconic products such as the iMac, iPod, iPhone and iPad. Go back a few decades, and it was Braun and Dieter Rams that were synonymous with industrial design. From coffee makers and toothbrushes to calculators and radios, there’s a good chance that you’ve seen or used one of his designs.
Rarely seen in the public eye, there’s a fantastic opportunity to learn more about this great designer, famous for his “Ten Principles for Good Design“. Film director, Gary Hustwit, is recording a feature-length documentary about Dieter Rams which is currently looking for funding on Kickstarter. The director has previously produced Helvectica, a documentary about typography and Objectified which looks at the relationship between objects and the designers behind them..
The project has already reached its target of US$200,000 with another two weeks to go. There’s some cool rewards (including your own private screening with the director at $5,000) but a $15 digital download is more reasonable.
To underline Dieter Ram‘s significance, there’s a trail that goes from mid-century modern straight through his work to today’s designs from Apple and Ikea. If you want to understand the consumer products you buy now, this is a must-see documentary….though you’ll have to wait until 2017.
The next official full-length Star Wars film, Episode VII: The Force Awakens, is scheduled to hit theaters in December. Leading up to that release, the Disney/Lucasfilm hype machine has been running at full speed. One facet of this promotional juggernaut is a film called Star Wars: Rogue One, the first part of an ongoing Anthology Series that will compliment major Star Wars releases in the future. Rogue One tells the story of brave Rebellion fighters who capture the secret plans for the first Death Star, ultimately leading to the destruction of that space station in Star Wars: Episode IV: A New Hope. Given how close Rogue One and Episode IV are in the Star Wars timeline, it would be necessary for some characters to cross over. But there’s a logistical problem here because Episode IV was released almost forty years ago, in 1977. Of course, some characters could be recast with contemporary actors who look/sound enough like their Episode IV counterparts. But in one case, the producers of Rogue One are doing something else.
Even the most casual of Star Wars fans will remember the character of Grand Moff Tarkin, portrayed stoically by famed British actor Peter Cushing in Episode IV. Tarkin was the commander of the first Death Star and one of Darth Vader’s most trusted allies. He was only seen on screen a handful of times, but the character has endured as a fan favorite. (In fact, a recent Star Wars novel is dedicated to the telling of Tarkin’s backstory.) Peter Cushing died in 1994 at the age of 81. There’s no way he can reprise the role of Grand Moff Tarkin. But Cushing’s likeness will appear in Rogue One thanks to modern CGI techniques.
It has been said that this type of special effect is like “bringing dead actors back to life,” and it is somewhat eerie to consider. If Cushing can be replicated thru CGI now, then in theory, any person whose ever appeared on film could be resurrected in the same way. In the case of Tarkin, the character is arguably more integral to the Star Wars franchise than the actor who originally portrayed him. The mind begins to reel at the possibilities within future Star Wars films alone. Why not make a new movie based around Han Solo, Luke Skywalker, and Princess Leia, but instead of using the actors that portrayed those characters as they appear today, using CGI-rendered versions of the actors as they looked forty years ago? I guess the fan reaction to computer-generated Peter Cushing will be a good gauge for how far Star Wars producers can stretch this idea in the future. But it seems likely that this is the first step in that direction.
Forget Kim Kardashian’s butt breaking the internet. Star Wars mania has officially arrived. (Was it ever really gone?) The first shots of the new film hit the internets this morning at 7:15a (PST). Initially I couldn’t get the iTunes Trailer page to load (go figure) but found it on the official Star Wars YouTube page. And after watching it about 50 times, I’m excited.
Here are a few things I’ve noticed:
– JJ Abrams promised us 88 seconds of footage, but minus all the black transitions, the 11 seconds of sand-nothing at the beginning and titles at the end, we’ve only got about 42 seconds of actual movie footage. Which also works out to 2163 frames. Remove the ratings logo, the empty sand wasteland from the beginning, the black transitions, and the end titles we’re left with 670 frames of actual new stuff. Stormtrooper guy at the beginning got 100, chick on fudgecicle speeder got 73. X-Wing Pilot 26. Creepy guy in the woods, 136.
– No shots of anything actually happening in the “stars” (space)
– We saw things we already knew about, either by leaks or “leaks” (Falcon, the villain, trooper helmets, actors)
– Right off the bat we are reminded that there are also non-white-male characters in this movie. (there was a big deal made of that after the first photo of the cast was released)
– Dear god, please don’t let the volleyball droid be the “comic relief” in this movie.
– I also noticed that THIS ship is in a few of the concept art images that are up over at Nuke The Fridge. The Fudgecicle speeder and stormtrooper designs are also holding true to the concept images:
Transformers: Age of Extinction wasn’t the worst thing I’ve ever seen. I wasn’t in the mood for any kind of thinkin’ movies, and this one def’ isn’t that. It was fun and full of eye candy and explosions and more explosions and carnage and explosions. Don’t forget the slow mo close-up of a girl w the sun setting behind her. But they did a better job on the Transformers’ faces this time. Like, you know, they had them. The story was fine, we got some new characters, some old, of course Optimus Prime is front and center, but the Dinobots didn’t show up until almost the end.
I always get the feeling, watching these movies, that someone was only just “aware” of the original Transformers. There will be a name or car or ship that’s from the originals but it’s just not quite right. It’s like someone just saw a couple clips from the old shows and went “Yeah, put that in there.. I dunno.. I heard someone was called Prowl, I guess? Use that for one of the guys, I don’t care if he’s good or bad, whatever.” I’m not asking for a lot here, just get the characters and what they turn into right.
So am I recommending this movie after all that? Sure. If you want a good, fun, shiny movie to watch, it’s that. Just make sure you go to the bathroom ahead of time because, yes, it IS almost three hours long. I think if you get there just as the movie is starting, it’s fine. The nonstop action keeps things moving along. But throw in the 20 mins of previews and whatever commercials before that (depending how early you get there), it does start to seem like you’ve been in your seat forever. It could have been chopped down a little, because let’s face it, we don’t really need three hours of Michael Bay in any one sitting.
Just as “Son of Batman” hits the public, DC is hard at work on the next animated Batman feature film.
The movie, entitled “Batman: Attack on Arkham” doesn’t have a release date as of yet, but the trailer will be included on the DVD combo pack of “Son of Batman.”
Here’s a first look at “Batman: Attack on Arkham,” with all your favorite baddies, including the Joker, Harley and more.
“Son of Batman,” the landmark 20th film in the ongoing series of DC Universe Animated Original Movies, is now available via Digital HD. The Blu-ray Combo Pack and DVD will arrive May 6, 2014 from Warner Bros. Home Entertainment.
This summer, TNT is going to take viewers on an action-packed ride with the exciting new drama series The Last Ship, starring Eric Dane (Grey’s Anatomy) and executive-produced by blockbuster filmmaker Michael Bay (Transformers).The Last Ship opens with a global catastrophe that nearly decimates the world’s population. Because of its positioning, the Navy destroyer U.S.S. Nathan Jamesavoids falling victim to the devastating tragedy. But now, Captain Tom Chandler (Dane) and his crew must confront the reality of their new existence in a world where they may be among the few remaining survivors. Rhona Mitra (Strike Back) plays Rachel Scott, a strong-willed, intelligent and fearless paleomicrobiologist assigned to the ship. Adam Baldwin (Firefly, Chuck) is XO Mike Slattery, a former homicide detective and Chandler’s second-in-command. Also starring in The Last Ship are Travis Van Winkle (Heart of Dixie), Charles Parnell(Pariah),Christina Elmore (Fruitvale Station),Sam Spruell (Snow White and The Huntsman) and Marissa Neitling(Leverage). Based on William Brinkley’s popular novel, The Last Ship comes to TNT from Bay’s Platinum Dunes and its partners, Brad Fuller and Andrew Form, whose credits include the upcoming Teenage Mutant Ninja Turtles. Bay, Fuller and Form serve as executive producers, along with showrunner Hank Steinberg (Without a Trace, The Nine), Steven Kane (The Closer) and director Jack Bender (Lost). Steinberg and Kane wrote the series pilot, which was directed by Jonathan Mostow(U-571).
Optoma specialise in digital projectors with a range going from personal pico-projectors all the way up to professional stacking projectors for large-scale installations. Here at The Gadget Show, Optoma were showing off their ML750, an ultra-compact LED projector about 12 cm square and 4 cm deep. The picture below doesn’t get over how small the unit is.
James from Optoma runs through the features of the ML750, which with the addition of a small wireless dongle (the little white object in the top left of the photo) allows presentation and streaming directly from the tablets and smartphones over wi-fi to the projector. The feature works with both Apple and Android devices using a downloadable app.
The native resolution is 1280×800 but will show 720p and 1080i video sources. It’ll even do 3D with additional active shutter glasses, though I’m not sure anyone is interested anymore. Still, the feature’s there.
I’m not a big projector expert, but at the event the ML750 was showing a series of film clips and it was very watchable. Obviously nothing like an HD monitor but for a portable device showing a 32″ display, it was impressive.